Fragmenty wywiadu zamieszczonego na muzicisifaze.com, przeprowadzonego z Klausem Schulze (pogrubienie)
przez niejakiego Horia Diaconescu (kursywa)
w 2005 roku.
Which are some of the composers (past or contemporary) whose musical output you appreciate?
It's the usual names that many people like, in pop and in classical music. Nothing sensational and nothing special. In fact, I don't listen much to other music. I don't even have a record collection.
I'm not a listener but a maker of music… Maybe it’s a good headline?!
I concur... However if you worked on other authors' compositions, would you opt for an approach following the intention in which they were conceived?
Yes and No.
…would you rather use them as a pretext in order to introduce your personal note?
Yes and No.
How did this mirror in an album such as “MIDI Klassik”, for example?
This album was made over a decade ago. I don't remember if I did then any of the things that you put into your question.
Generally: If I make music, compose, sit in the studio, play, record, mix, etc... then I don't have all these certainly very interesting thoughts that I see here in many of the questions. Maybe I could not make music anymore, if I think before about all this?
I w dalszej części wywiadu - daję cytat do końca:
If you accept a little game, I will propose you a brief questionnaire in which I will ask you to choose solely based on your subjective affinity. It is not a matter of hierarchy…
Oh. I like this one!
Tomita or Eberhard Schoener?
Gould or Cziffra?
Who the fuck is "Cziffra"?
Nigel Kennedy or Frank Zappa?
Nietzsche or Heidegger?
Absolutely NOT the second!!!
Our magazine is named “Muzici si Faze” which roughly translates as “music and experiences”. Could we end this interview with something meaningful?
What is the difference between America and Yogurt?
(Yogurt has culture)
I thank YOU for your great patience…